Meet Shonto at the July 1 First Friday Artwalk, downtown Flagstaff, 14 N. San Francisco St
June 10-12, 2022
"Shonto Begay, the renowned Navajo artist, describes his brushstrokes as “a visual chant,” in which lines of different lengths, widths and shapes — swirls, curls and dots — are akin to syllables that add up to words, then to sentences and paragraphs, and finally to Navajo prayers. “I’ve always seen my work as a ceremony,” he says. Amen."
Shonto Begay: Eyes of the World and Indigenous Women: Border Matters
April 10–October 3, 2021, and March 20–October 3, 2021
Wheelwright Museum of the American Indian, Santa Fe
Centering artists’ voices, two current exhibitions at the Wheelwright Museum of the American Indian foreground connections to and experiences of place. Engaging historical consciousness, cultural memory, contemporary politics, and personal agency, Shonto Begay: Eyes of the World and Indigenous Women: Border Matters work together to reorient the viewer to alternative perspectives and narratives in the Southwest.
Read the full review on Southwest Contemporary.
Images for the Healing Time
April/May 2021 Issue
By Chad Scott | April 17, 2021
“Art saves lives.” –Shonto Begay.
For Diné (Navajo) artist Shonto Begay (b. 1954), that’s more than a figure of speech. It’s autobiographical.
“I was what they call a generation of the walking traumas, because of the 13 boys that I grew up with very closely, there’s only three of us alive,” Begay told Forbes.com.
Begay’s personal history reaches back into an era difficult to imagine in a contemporary world.
He was born in a ceremonial Navajo hogan–a sacred home–to a mother who was a traditional Navajo rug weaver from the Bitter Water Clan. His father was a medicine man born to the Salt Clan. Begay grew up in the 1950s as one of 16 kids, herding sheep in the cinematically beautiful rock cliffs, canyons and chapparal-covered mountains of Kletha Valley, deep inside the Navajo Nation in tiny Shonto, Arizona.
“Shonto” in Diné translates to “sunshine spring.”
It wasn’t his tribal upbringing which created “a generation of the walking traumas,” the “trauma” Begay experienced came in the form of the dehumanizing U.S. government run Indian Boarding Schools. In the abusive and tragic annals of American History, the Indian Boarding Schools stand as particularly inhumane. Native American children torn from their families and sent far away into forced white, euro-centric cultural assimilation camps.
“Kill the Indian, save the man” was the mantra of these institutions founded on white supremacy with that operating philosophy as their only guiding principle.
“It was a casualty,” Begay says of his time in the boarding schools. “Mentally, physically–it took a lot of lives. A sense of hopelessness. It was a brutal situation. It was a really brutal experience. I survived it and that’s why I do art. It keeps me from going to a place where I don’t want to go.”
Read More – Visit forbes.com to read the full article
Shonto Begay: New Works
Mark Sublette Medicine Man Gallery
Opens: April 24 – May 8, 2021. An exhibit of new works to coincide with The Shonto Show at the Wheelwright Museum of the American Indian in Santa Fe. Mark Sublette is a trusted expert on Shonto’s art career, having represented his artwork for more than 20 years.